MUCA (Museum of Urban and Contemporary Art) has just opened in Munich, with 2 pieces by Swoon in the permanent collection, one of which is currently shown in the inaugural exhibition.
Picture ©Arnaud Oliveux
Disponible ici :
http://graffitiartshop.bigcartel.com/product/guide-de-l-art-contemporain-urbain-2016-fr-en
Andrew Schoultz’s painting “Melting Flag II” scored 9 times its estimate at Sotheby’s auction sale of November 18th dedicated to the collection of Steven & Ann Ames.
Une page est consacrée au travail de Swoon “la fée du street art” dans la revue pour enfants DADA, numéro spécial street art, novembre 2016.
Disponible en librairies (7,90€).
Both Andrew Schoultz and Swoon Studio are contributing to Urban Dawn II in Beyrouth in the related exhibition “Street Arts Street Smarts” thru November 13th curated by Rasmus Ejaas Fischer and art platform curator19.90. Andrew Schoultz is also currently painting a large wall in the city. Pictures soon !
Full list of artists : ALEX DIAMOND / ALEX SASTOQUE / ANTON SAVITSKY / ANDREW SCHOULTZ / ASHEKMAN / BASE23 / CAMILLE ADRA / CHAD MUSKA / СHAD THE MAD / DALEK / DANNO / DAN WITZ / DEM189 / ECB / ELLE / EL MAC / EPS / ETHOS / EXIST / FINOK / FRANS SMIT / GILF / GRINO / HARIF GUZMAN / ICY&SOT / JAV DEMSKY / JOHN NEWSOM / LORO VERZ / M3ALIM / MIKAEL TAKÁСS/ MORTEN ANDERSEN / NÆBLERØD / NOOTK / OLEK / PHAT2 / QUEEN ANDREA / RETNA / REPAS / RICHARD DUPONT / RICHIE CULVER / RUNE CHRISTENSEN / SANTE D`ORAZIO / SHELTER SERRA / SHEPARD FAIREY / SPAZ / STRØK / SUP-C / SWOON / TED LAWSON / TIM OKAMURA / VEXTA / YAZAN HALWANI / ZED
Since the 1800s, people have reported experiencing loved ones’ deaths almost psychically, feeling that they, too, were moving into the beyond.
This phenomenon, which has gained anecdotal support from people around the world regardless of background or religious belief, is often referred to as a “shared-death experience” or “empathic death experience.”
Empathic death experiences don’t always look or feel the same, though similarities between individuals’ accounts help sketch a vague outline of events. The light at the end of the tunnel, for example ― now a hackneyed image associated with the sensation of dying ― originated from the testimonies of people who had undergone near-death or shared-death experiences.
Brooklyn-based artist Caledonia Curry, better known as Swoon, was not familiar with reports of shared-death experiences. That is, until she lived one.
In an interview with The Huffington Post, the artist described an almost paranormal experience. Her mother, she said, had been sick for months, and Swoon had spent a great deal of time at her bedside caring for her. One evening in 2013, Swoon claims she heard her mother’s voice, felt her very presence, even though they weren’t in the same state.
“I was having really intense dreams about her the whole morning,” Swoon explained. “I kept waking up and falling back asleep. At one point, I thought I was awake and looked out the window. I saw a bunch of snow falling and I thought, ‘Wow, snow in June. That can’t be good.’”
From there, the experience only grew more surreal. “I opened the window, and the snow started to come through my body, transforming into points of light that bloomed into these intricate snow blossoms. I heard my mom’s voice talking to me, and I was filled with a very profound sense of wellbeing and love. I woke up weeping, my face covered in tears. I thought, I think that was my mom dying. My sister called a few hours later.”
Even after the evening of her mother’s passing, the sensation lingered. “I had this feeling of a little buoy inside me. I felt held. I couldn’t grieve as much as I expected because I had all this love and light inside me. It makes you question your sanity.”
The intensity of that feeling ― almost as if she were possessed ― compelled Swoon to do some research. “You don’t want to feel crazy,” she said. It wasn’t long before she discovered that her abnormal experience wasn’t actually all that abnormal. “It’s not a common phenomenon, but it does happen,” she added. “Sometimes, when someone very close to you dies ― a family member or friend ― you will share part of their dying experience.”
Stories like Swoon’s are sprinkled across the internet, from Reddit sub-pages like r/empathic to articles on Salon and CNN to websites like PeacefulSoulTransition.com and SharedCrossing.com.
In 2012, psychiatrist Raymond Moody compiled some of the most common impressions of those who claimed to have felt a loved one’s passing. Their stories involve rooms changing shape, dying people communicating telepathically, bystanders leaving their bodies and witnessing another dimension, becoming engulfed by a bright light that feels like love, and visions of accompanying a dying person through a tunnel towards a great light where they often pass by deceased loved ones.
“The core elements of my experience were described by others,” Swoon said. “As a visual artist, to have people telling these stories, describing this stuff that is so beautiful ― the light and tunnels and meadows and magical places ― I couldn’t resist.”
Photographiée par Renaud Monfourny pour “Carte blanche (et noire)”
L’artiste singapourienne Dawn Ng a réalisé ce printemps 2016 l’installation HOW TO DISAPPEAR INTO A RAINBOW pour la Fondation d’entreprise Hermès dans leur espace Aloft à Singapour, à l’occasion de la réouverture de leur flagship.
Cette interrogation poétique se matérialise sous la forme d’une installation globale qui métamorphose l’espace en un véritable terrain de jeu coloré. Cet univers chromatique conceptuel invite le visiteur d’Aloft at Hermès à une expérience personnelle et méditative.
Interview de l’artiste publiée à cette occasion sur The Artling : lire
Dawn est également connue pour sa série de photographies A THING OF BEAUTY (2015) dont vous pourrez retrouver une sélection à la galerie en septembre.
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